Kodo and Kabuki actor Tamasaburo Bando first met in 2000. Kodo’s Long-Awaited Second Collaborative Work with Kabuki Luminary Tamasaburo Bando in 2017Īfter four successful seasons of “Amaterasu” over the past decade, Kodo returns to the stage with Tamasaburo Bando in 2017 for a brand new collaborative work, Tamasaburo Bando x Kodo Special Performance “ Yugen.” The world premiere at Tokyo’s Bunkamura Orchard Hall in May 2017 will launch a tour throughout Japan with performances in Tokyo, Niigata, Aichi, Fukuoka & Kyoto. Hence, aesthetic ideals have an ethical connotation and pervade much of the Japanese culture.” This, in turn suggests that virtue can be instilled through an appreciation of, and practice in, the arts. In Zen philosophy there are seven aesthetic principles for achieving wabi-sabi.įukinsei (不均整): asymmetry, irregularity Kanso (簡素): simplicity Koko: basic, weathered Shizen (自然): without pretense, natural Yugen (幽玄): subtly profound grace, not obvious Datsuzoku (脱俗): unbounded by convention, free Seijaku (静寂): tranquility, stillness.Įach of these things are found in nature but can suggest virtues of human character and appropriateness of behavior. The signatures of nature can be so subtle that it takes a quiet mind and a cultivated eye to discern them. In this, beauty is an altered state of consciousness and can be seen in the mundane and simple. As things come and go, they show signs of their coming or going and these signs are considered to be beautiful. Things in bud, or things in decay, as it were, are more evocative of wabi-sabi than things in full bloom because they suggest the transience of things. Over time their meanings overlapped and converged until they are unified into wabi-sabi (侘寂), the aesthetic defined as the beauty of things “imperfect, impermanent, and incomplete.” Wabi and sabi refers to a mindful approach to everyday life. Thus, while seen as a philosophy in Western societies, the concept of aesthetics in Japan is seen as an integral part of daily life. Japanese aesthetics is a set of ancient ideals that include “ wabi” (transient and stark beauty), “ sabi” (the beauty of natural aging), and “y ūgen.” These ideals, and others, underpin much of Japanese cultural and aesthetic norms. In this respect, the notion of “art” (or its conceptual equivalent) is also quite different from Western traditions. This appreciation of nature has been fundamental to many Japanese aesthetic ideals, “arts,” and other cultural elements. Nature is seen as a dynamic whole that is to be admired and appreciated. At no point is a wave complete, even at its peak. If the seas represent potential then each thing is like a wave arising from it and returning to it. In the Buddhist tradition, all things are considered as either evolving from or dissolving into nothingness. Japanese aesthetic ideals are most heavily influenced by Japanese Buddhism. To contemplate the flight of wild geese seen and lost among the clouds…” –Zeami Motokiyo To stand upon the shore and gaze after a boat that disappears behind distant islands. To wander on in a huge forest without thought of return. “To watch the sun sink behind a flower clad hill. Yūgen is not an allusion to another world. The exact translation of the word depends on the context. “Yūgen is an important concept in traditional Japanese aesthetics.
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